Oedipus, by Aristotles standards is a sadal protagonist. Oedipus fits the description of the necessities of a tragic milling machinery, and the degree follows the guidelines set for a tragedy. Oedpius is easily considered grievous, conveys an in- temper and appropriate behavior, he is imperfect and life like, and his traits are consistent. Oedipus is a character of weighty stature and has greatness, while still embodying virtue and nobility. This macrocosm said, Oepidus is not perfect. Aristotle says the best plotline for a tragedy would be one where the hero falls from unattackable fortune to bad, which is just how Oedipus the King is. His dec from sincere fortune to bad is not because of any iniquity or wickedness on his part, but because of a great deal he made in the past. More importantly, the play is mazy rather than simple and is clearly, a representation of terrible and woful events, both of which Aristotle is quick to mention in The Poetics. All of Arist otles guidelines of a tragic hero are met by Oedipus. Oedipus could easily be considered good by the majority of populate. He essentials to do good, hes clement and wants to very help his people. You may be confident that Ill do anything. (Oedipus the King) This being said, Oedipus has negative traits as well.
According to Aristotle, an entirely good character is repulsive. ...neither should virtuous men appear undergoing a revision from good to bad fortune, for that is not fearful, nor pitiable either, but virtuously repugnant. (The Poetics) though he wants to help his people, he still has his feature agenda. Oedipus wants to recoup the killer not just! for the sake of his people discerning who the killer of their former king was, but as well to repel the Oracle. Go in and think this out;... If you want to go a full essay, order it on our website:
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