Racism Prejudice Crash

racialism Prejudice CrashCrashThe celluloid Crash gives many theoretical accounts of how racism and wrong affect nearly every unmatcheds lives. . Racism and prejudice surround us. This movie follows plurality of various races and social classes and detail the encounters of these people with each other. It suggests that everyone has to deal with their own racism and prejudice, no question what their own race, class or heathenishity is. According to Sullivan, racism is the view that trusted racial or ethnic groups argon inferior and that practices involving their domination atomic number 18 therefore justified. Racism from multiple ethnic groups is illustrated many times in the movie Crash. Prejudice is an irrational attitude toward certain people ground solely on their extremityship in a particular group, consort to Sullivan. Prejudice is another main theme in the movie.The first example of racism and prejudice in Crash is the reference book played by Matt Dillon. At firs t glance, his character seems to be racist because of the focal point that he was raised by his p atomic number 18nts. Dillon exhibited a close bond with his stimulate and later, we discover the roots of his racism. I originally assumed that Dillon was absorbing outdoor(a) cues from his father regarding his attitudes towards s fagdalous people. It turns out that his father was not racist towards scorch people. It was Dillon who, in combination with his fathers negative experiences and his own as a member of the LAPD, formed his own perceptions towards pitch-darks. Dillons character looks down on every black person that he encounters, and even uses his power as a police force officer to grope a black female in look of her husband, only when because he can.One main example of racism and prejudice occurred at the beginning of the film when the Persian family was attempting to purchase a gun. The salesclerk at the gun shop do a few blatantly racist comments about the percept ions of the customers. There were several references to the twin towers and planes. It didnt matter that the devil were Persian, not Arab. A reoccurring theme was that post 9/11, all snapshotper Eastern people became potential terrorists. It is amazing that people have the top executive to interpret bad events and cast their own prejudices on different ethnic groups to mask their feeling of anger and frustration.Certain stereotypes have stood the test of time, no matter how many strides for racial equality have been make. Sandra steers character made the statement about the relationship between white and black people If a white woman sees two black men walk towards her and turns the other way, shes a racist. Well I got scared and didnt say anything, and the neighboring thing I knew, I had a gun shoved in my steerPerhaps stereotypes like that have maintained their prevalence because there are so many people that perpetuate them. It is often believed that all un split upe black men are destined to be thugs, criminals and drug dealers. As a young black man, it must be difficult to move free of that stereotype.Things will neer change. That attitude along with the perpetuation of exist stereotypes may be largely responsible for negative racial longevity. Ludacris character was one of the most interesting to me. Here was this articulate young black man that spent his life stealing cars from white people. Rap harmony is the music of the oppressor, he said. It is often easier to blame others for your shortcomings than it is to confront them head on.On the reverse, trouble facing stereotypes can occur anywhere. They are not simply restricted to skin-tone and neighborhoods. Racial discrimination transpires through social class as well. This creates division within the same racial groups. In the film, Cameron was portrayed as a wealthy, black, television actor. He achieved success as a disenfranchised working black man, but at what cost?Cameron faced scrutiny from both of his people, namely his wife and from his white producer. It was like a catch-22, if he wanted to be successful, he needed to act like a white man. With that came two major problems. Just because he had a dear(p) paying job, he failed to acknowledge that all the money in the foundation couldnt change the fact that he was, Indeed a black man. construction what happened with the LAPD, they did not care that he was a law abiding Buddhist, he was still black. With the success he had as an actor, it was also possible that he developed a complex, thinking he was entitled to white privileges. As a result of that theoretical complex, he faced a satiate of embarrassment, shame, frustration, and anger.We as a society have gotten so emotionally composite that we have developed a prevalent selfishness and apathy towards understanding others. It is easier to score someone a gang-banger, because it dehumanized them. Snap judgments are often made because we have it all figured ou t. Everyone is lumped into his or her respective categories and we accept it because things are uncomplicated when everything is in a neat little package. Rather than pickings the time to move past initial stereotypes and preconceived notions, we often fix it completely wrong.When Sandra Bullock, first saw the Mexican locksmith, she made a snap judgment. He is a gang-banger because of his shaved head, prison tattoos and his pants around his ass. She dictated that he was going to sell her house keys to one of his homeys. Contrary to her analysis, he was a soft-spoken, sensitive family man. Bullocks discrimination at the beginning of the film could be interpreted as blatant but somewhat covert. She didnt anticipate that he would hear her comments and if she had, I assume she would have expressed herself in hidden to avoid the awkward social situation when he left. Regardless, it was wrong and hurtful.The Persian shopkeeper cast a similar first impression base solely on existing st ereotypes. He made the false assertion that the Mexican locksmith was a member of some elaborate scheme to rip him off. The shopkeepers brazen ignorance and inability to listen prevented him from hearing valuable information. If he had listened, he would have gotten a new door and thus prevented the vandalism. Neither Bullock nor the shopkeeper took the time to familiarize themselves with him and move past their own prejudices. To them, he was just passing by temporarily to fix the glitch of get at that was disrupting their lives.It is easy to relate the movie Crash to the counterpoint perspective. According to Sullivan, the conflict perspective is based on the idea that society consists of different groups who debate with one another to attain the scarce societal resources that are considered valuable, be they money, power, prestige, or the authority to impose ones values on society. This movie fits into this surmisal because there are many groups (blacks, whites, etc.) that a re constantly struggling and depreciative each other so that their group can be the one in power. It is this struggle that has created racism, prejudice and stereotypes.Until we as a society can take the time to understand the roots of discrimination and take a good look at our own thought patterns, well never move forward. Films like Crash are forcing us to look out-of-door are own lives and fears, to realize that were more alike than we think. Aside from the 2% genetic differences between us, we all have problems and internal struggles. Thats what makes us human.