A great 20th century author erstwhile said, our existence is our burden (23). It is this encumbrance, however, that shapes the literature of two of the most omnipotent and powerful authors of this era, Ralph Ellison and James Baldwin. Though they have opposing views on the p deviceing bed and sociopolitical agenda should play in art, two writers earn the importance of these two factors and have been very plainspoken on their opinions about the matter. While Ralph Ellison recognizes that it is impossible to say ones take in experience from ones theme, he believes that politics should remain a separate force. He believes, however, that without art, experience and sociopolitical ideas be meaningless to the public. James Baldwin maintains that these components be non integral parts of literature and should be treated as separate matters. However, Baldwin was not naïve enough to believe that his piece of writing had no political effect, or that he did not intricate personal experience into his writing. Ellison believed that all good fiction writers relieve oneself of their own experiences, but they shape this, reworking as they build their works. Politics, however, has no place in literature according to Ellison. He unsaid political literature to be propaganda, while art, which reflected experience, was inherently anti-ideological.
Baldwin agrees with this stance, writing that one writes out of one thing all in all - ones own experience (7). Baldwins own experiences as a brunet man living in white America are certainly reflected in his writing, and his criticisms, as expressed in Everybodys remonstrance N! ovel, are based on these experiences. In the autobiographical notes element of Notes of a Native Son, James Baldwin wrote that the only real clientele of the artisan [is] to recreate out of the dis methodicalness of life that order which is art (7). He goes on to say that... If you want to beguile a full essay, order it on our website: OrderCustomPaper.com
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